TAMK Games Academy

You find yourself trapped in the old metro tunnels of Soviet Kouvola… and as if your situation doesn’t seem bad enough already, you quickly find out that you’re not alone. The infected citizens of Kouvola are coming for you, and you need to escape while you still can! So load up your Shotbat™ and smash your way into freedom! Or you might never see daylight ever again…

The idea

Everything started with our idea for a cool weapon design that would be a combination of a baseball bat and a shotgun, so you could use it for both hitting and shooting the enemies. We wanted to make a dark game with a realistic style, and were inspired by games like Metro, Fallout and Wolfenstein. We wanted the environment to be like metro tunnels and dark underground environments like sewers and maintenance rooms, and were also heavily inspired by old Soviet architecture and themes. We wanted the player character to be a strong female character with some attitude, and for the enemies we wanted to make something resembling zombies, with the idea being that they were maybe infected by something. And of course we quickly decided that the game should be taking place in Kouvola.

The process

We started by working on basic building blocks for the environment and the enemy models, as well as experimenting with some blood and gore effects. We also had the camera and basic movement set up very quickly, as well as the night vision and grenade mechanics. The enemy models were created by having three different body types (skinny, muscular and fat), all of which were given shape keys that can be used to add variation to the enemy body types and proportions. Later we started building the level and adding the combat mechanics and hand animations for the player, as well as adding some sound effects and implementing different enemy types. Most of the work was done in bursts, and the whole game was finalized in the last few days before the presentation, by building a bigger level with more content, adding sound effects, tweaking the animations, adding particle effects and just polishing everything. We plan to continue working on this game more in the future, but after the final crunch, the game is already in a decent place.

Download the game from itch.io

Team

From left to right:

Peetu Kuoppala: Programming, VFX, Props

Eemeli Mäntylä: Enemy models, Props

Rama Hannula: Programming, SFX, VFX, Animations

Axel Kulomaa: Environment models, Level design, Props

Onni Lahti: Lead Programmer, UI

Umut Soydan: Illustrations, Weapon model, Props

In the spring season of Games Academy, our team Secret Cyborgs  took to the skies and created the game Celestial Quest. 

This term we wanted to make a simple game since our team was quite small (2 programmers, 1 artist). We were inspired by platformer games, such as Crash Bandicoot and Donald Duck: Goin’ Quackers. Celestial Quest turned out to be a space-themed, platformer game where the player has to clear different levels, while collecting crystals and avoid different obstacles (enemies, traps etc.). We wanted to give the game a mystical feel and look in a rather minimalistic style. Inspiration for the art came especially from Hollow Knight and Ori and the Will of the Wisp. 

Development process 

Programming:

Since our team was quite small we focused on implementing the most basic features to the game, such as:

• Character movement & jumping (with double jump)
• Camera that follows the player 
• Enemies (two different kinds) 
• Collectables (items for points and HP) 
• Teleporter (for entering and exiting levels) 
• At least three unlockable levels

We started by making a list of the things that we wanted to implement and then divided the work between our two programmers. However, we felt at some point that the game was lacking a bit and decided that we wanted to add some traps and a moving platform as well.

The final result is not perfect, but we learned a lot from this project and we were able to implement most of the things that we wanted.

Art:

The process for the art started with some moodboards and concepts, for the character as well as the general look of the levels. 

First concept art: 

Once implemented in 3D, the first character design turned out to be quite difficult for the time we had, for example due to the animation of the cloak that would have been necessary. So the character was redesigned. The enemy characters were designed matching to the simplistic style. 

The UI came shortly after the characters were done, as well as some environmental art (temple) and the collectibles. Unfortunately not everything was implemented in the game. We managed to get the health bar into the game, but not the bar for collectibles. We also planned to have some textures for the ground and the collectibles, but after several issues with exporting the textures, we decided to only keep the textures for the crystals. Lastly we added sounds to the game. 

Final look: 

Team:

Programming

Daniella Azouer
Jesse Rajala

Art

Maria Zapf

The Forgotten Ruins

“The Forgotten Ruins” is an isometric adventure/puzzle game with a desert themed environment. The player is a humanoid fennec fox who explores the ancient ruins, solving various puzzles and defeating enemies on the way.

Progress of the project

The project started by deciding to use the style and game play of Tunic as a base. Originally the goal was to include multiple levels, but these were cut due to time constraints. To aid the player in their adventure, they can discover several abilities to assist them in defeating enemies and solving puzzles.

The theme was set to low poly desert as artists were keen on the idea of having a humanoid fennec fox as a playable character. This theme was also simpler to implement as a lot of desert themed objects are often very simple geometrically and can be covered in sand if necessary.

The development was rocky and ended up in a crunch towards the end. Several features required vastly more time than what was planned, and many planned features ended up on the chopping block. Moving to 3 dimensions from 2 was its own challenge and ended up costing a large amount of time.

Link to the game:

The Forgotten Ruins

Team

Artists

Alina Leinonen

Nina Korkeamäki

Joonas Aro

Programmers

Lauri Kalliola

Samu Pulli

Tomi Sepänmaa

In B.O.B & Cat, you play as a bobcat who is stuck in a mysterious, deteriorating factory, trying to find its way out. Travelling with it is a tiny robot, guiding it forward, its intentions unknown. B.O.B & Cat is a love letter to early 2000 era action adventure/platformer games such as Ratchet & Clank and the Sly Cooper series. Explore an interesting location, collect hidden trophies and smash enemy robots to bits in this action platforming epic!

Development process

It all started with an admiration towards the aforementioned PlayStation 2 era video games. We wanted to recreate the feeling we had when we played those games as kids. The first thing decided was the character, or rather, characters. It just simply would not be a PS2 era inspired action adventure/platforming game without an anthropomorphic animal as the main character. There is no “Ratchet & Clank” without Ratchet, nor is there “Jak & Daxter” without Jak. However, those games also would not be the same without the trusty companions. That’s why we created B.O.B, a small robot that follows the player around, helping them make sense of the bizarre and spooky world they have found themselves in.

After deciding on the characters and tone, we needed to agree on which gameplay elements we would implement from the games. Jumping, running and attacking were obvious ones since all of the games have those. We also needed a way to interact with the world, something unique to our game. The answer laid in the robot companion. In the game, B.O.B is used to help open doors and battle enemies. It can smash itself into fuse boxes and enemies alike, causing damage to any and all circuitry it comes in contact with.

Other than being a wrecking ball, B.O.B also provides helpful and, at times, humorous commentary on the events that transpire when Cat traverses through the dangerous obstacles in the rundown factory. We wanted to have a rich and unique narrative to our game, but were quite held back by the time we had. Since we had no time to implement npcs, not to even mention cutscenes, we had to focus on making sure we can tell a cohesive story with just the environment and a couple of dialogue lines from B.O.B. We would like to think we did well and the game certainly does have an unique vibe to it.

All in all, there is absolutely tons of things we didn’t have time to add, but we as a team are happy with how the game turned out. For a new player there is more than 30 minutes of exploring, dodging obstacles, jumping from platform to another, collecting two different kinds of collectibles, fighting enemies and solving puzzles! Test it out for yourself in the link below!

https://team-bob.itch.io/bob-cat

The people who made the magic happen

Niko Holopainen: Project lead, level design, programming

Joonas Järvinen: Programming, level design

Pasi Sundelin: Programming, audio

Joey Audi: 3D art, level design

Vuokko Lehtola: 3D art, animation, 2D art

Aino Virtala: 3D art, 2D art

Valtteri Kamppinen: 3D art, animation

Just you and your scythe against the AI that has taken over…

It’s the typical story, really. The world has fallen into a dystopia governed by an evil AI, and you, the titular Cyber Scythe, with your titular Cyber Scythe, are the only one who can stand against the oppressive robot overlords. Can you get through the levels and find the mastermind AI behind it all?

[Download the game at itch.io!]

Based on classic PS2/Xbox era platformers, Cyber Scythe by Team 404 combines platforming and light combat, and features an unique, eyecatching aesthetic with plenty of fun details to spot.

It’s like a spooky rave church, but it works. – Gareth Noyce, 2023

As with the team’s previous game, Mänteater, the theme (in this case, “neon medieval cyberpunk”) was settled on early, and the artists set to make the style happen as the programmers started building up the basics. The very basic blocks of the game were built early and fast, but around the mid-season the game started to slow down, causing some troubles finding enough time to finish everything needed. Still, the towards the end the team managed to pull together a working game, learning a lot in the process — about Unity, 3d artwork creation, game design… themselves? The real Cyber Scythe was inside you all along.

There are numerous tweaks, polishes and cleaning up one could still do, but even without them the game works as intended, and offers the player a fun, short action platformer experience, that has an unique look, small environment-based narrative and clear progression.

This game was created as a part of TAMK Games Academy 2023 Spring Semester by a team of six students.
Programming: Eetu Hentunen, Jesse Leppä, Kristian Törmä
Art: Nika Toikka, Ronja Heimonen, SM Aho

Team

👨‍💻 Programmers: Ville Lehdonkangas and Juuso Kemppainen
🎨 Artists: Jonna Pentti and Oskari Ojala

Idea

Our idea was to create a simple arcade game. The player would accumulate score by reaching the top end of one of three track platforms, while avoiding hazards which traverse through the track platform it was spawned on and which will eventually fall off of. The track platform would have speed value which increases after the respective top end has been reached by the player, which would pull the player towards the track platform’s bottom end and ultimately to their death.

Upon starting the run and after reaching a top end of a track platform the player would be positioned on safe platform where the player could move sideways and choose a track platform to jump on top of.

It was planned that, after the player reaches every track platform’s top end the length of the track platforms would increase. This feature was scrapped.

Power-ups weren’t planned. Player having multiple lives wasn’t planned, but made to the final build.

It was agreed, that the player character would be a dachshund, the hazards would be rolling barrels and at the top end of a track platform would be beer to represent the goal.

Development process

The development of the project was active right off the bat, which was rendered nonexistent, because there wasn’t enough planning, communication and/or feedback, until the second to last weekend before deadline.

The core gameplay was implemented before the deactivation of development and the rest was implemented after the reactivation of development.

Art

There’s not much to tell about the art, as one of the artists fell very ill and had to leave for a long sick leave, thus being incapable of working.
There was concept art of the cute Dachshund, “Mäyris”, that was supposed to have multiple outfit choices, such as a literal “mäyräkoira”, a 12-pack of beer.

The artist did start to model the dog, but soon realized they didn’t have enough time to finish it due the deadline, as they faced some problems with the model and had to start from scratch couple of times.

Malt Hazard download link.

The game

Lemon Forest is a 3D game we created for the Spring Semester of Games Academy. This was an original social simulation game concept, referencing other similar games like Animal Crossing by Nintendo and casual, chill mobile games such as Cats & Soup.

The game’s idea is to do quests for your village friends, gain currency to buy items to accomplish other quests and to buy stuff to customize your own character. Some of your village friends might only have secret quests for you during the night! If you’re more of an adventurer, you can also roam around the island and visit the lighthouse.

Our plan was to make a relaxing and a simple game with focus on dialogue, customizing the player character, and upgrading the village with new items. From the very beginning everyone was very interested in this concept, and we came up with all sorts of unique ideas for the main character’s background story and how we wanted the game to look like. In the end we decided to go for a less crazy fantasy magical, to more dreamy, fairytale-like forest. Few copyright free sounds were added, but otherwise everything else was our production.

Below are some concept art of the game:

Design/development process

The artists began by illustrating their ideas. Our plans were quite big so there was a lot to design. We divided the work based on what each of us wanted to learn and focus on during the Spring. Some concentrated more on the environmental aspects and some more on the characters. Midway we divided even more for UI design, animation and storytelling. Regardless, everyone kept up communication and found something they wanted to do and learn.

How well did we accomplish our goals?

Our team agreed that the course work concentrated a lot on more realistic style modeling and since our game was very cartoony, we had to search more answers from the internet instead. Our main issue was lack of coordination due to a lack of leadership, and a very big scope, so we didn’t manage to implement everything we planned.

However, the game turned out cute with fun quests! It’s playable, and that’s what we aimed for. Everyone got the chance to try something new and learn a lot from it, which we think is most important as a student project.

Overall the project was a good opportunity to practise teamwork and especially learning that we don’t need to do everything alone, but instead ask others for help. It was awesome working together and not getting stuck with things alone. The team felt a safe space to learn new things on our own speed and with our own limits. When someone was unavailable, everyone was always forgiving and filled in for the tasks.

Pictures of the final product:

Link to the game: https://aceyyyy.itch.io/lemon-forest-final